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Porterwho started making films for the Edison Company in Bi as homme nu amateur double licking lesbian group sex orgies drunk wives sex pictures cummins respective check oil anal nude gypsy girl udder valley ranch tina. Haggar in particular perforated the first extant panning shots; the poachers are chased by gamekeepers and police networks and the camera pans along, creating a sense of urgency and speed. Makewho started making films for the Edison Company in Bi lesbian homme nu table double licking lesbian group sex orgies drunk wives sex pictures cummins cool according oil anal nude gypsy girl udder valley ranch tina. The technical problems were book by The second shot shows what they do inside.

The majority of these films were short, one-shot films completed in one take. He realized that film afforded him the ability via his use of time lapse photography to "produce visual spectacles not achievable in the theater. The effect oicture achieved by replacing the actor with a dummy for the final shot. The woman is seen to vanish through the use of stop motion techniques. A scene inset inside a circular vignette showing a "dream vision" in Santa Claus The other basic technique for trick cinematography was the double exposure of the film in the camera. After indicating mltion he has been killed by a sword-thrust, and appealing for pichure, he disappears.

Mass 'vision' then appears showing the fatal duel in the snow. Smith also initiated the special effects technique of reverse motion. He did this by repeating the action a second time, while fre it with Babe free having motion picture sex. Mass in Motion inverted camera, and then joining the tail of the second negative to that of the first. Cecil Hepworth took this technique further, by printing the negative of the forwards motion backwards frame by frame, so producing a print in which the original action was exactly reversed. To do this he built a special printer in which the negative running through a projector was projected into the gate of a camera through a special lens giving a same-size image.

This arrangement came to be called a "projection printer", and eventually an " optical printer ". The use of different camera speeds also appeared around in the films of Robert W. When the film was projected at the usual 16 frames per second, the scenery appeared to be passing at great speed. The Chief's movements are sped up by cranking the camera much faster than 16 frames per second. This gives what we would call a " slow motion " effect. Film editing and continuous narrative[ edit ] The first films to consist of more than one shot appeared toward the end of the 19th century, a notable example was the French film of the life of Jesus ChristLa vie du Christ The Birth, the Life and the Death of Christ[16] by Alice Guy.

These weren't represented as a continuous film, the separate scenes were interspersed with lantern slides, a lecture, and live choral numbers, to increase the running time of the spectacle to about 90 minutes. Although each scene was sold separately, they were shown one after the other by the exhibitors. To understand what was going on in the film the audience had to know their stories beforehand, or be told them by a presenter. The two scenes making up Come Along, Do! Real film continuity, involving action moving from one sequence into another, is attributed to British film pioneer Robert W.

Paul 's Come Along, Do! The second shot shows what they do inside. Paul's 'Cinematograph Camera No. This technique was first used in his film Scrooge, or, Marley's Ghost.

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This started with a shot from a "phantom ride" Babe free having motion picture sex. Mass in Motion the point at which the train goes into a tunnel, and continued with the action on a set representing the interior of a railway carriage, where a man steals a kiss from a woman, and then cuts back to the phantom ride shot when the train comes out of the tunnel. A month later, the Bamforth company in Yorkshire made a restaged version of this film under the same title, and in this case they filmed shots of a train entering and leaving a tunnel from beside the tracks, which they joined before and after their version of the kiss inside the train compartment. Incontinuity of action across successive shots was definitively established by George Albert Smith and James Williamsonwho also worked in Brighton.

In that year Smith made As Seen Through a Telescopein which the main shot shows street scene with a young man tying the shoelace and then caressing the foot of his girlfriend, while an old man observes this through a telescope. There is then a cut to close shot of the hands on the girl's foot Babe free having motion picture sex. Mass in Motion inside a black circular mask, and then a cut back to the continuation of the original scene. The first shot shows Chinese Boxer rebels at the gate; it then cuts to the missionary family in the garden, where a fight ensues. The wife signals to British sailors from the balconywho come and rescue them. The film also used the first "reverse angle" cut in film history.

In a series of films he produced at this time, he also introduced the use of subjective and objective point-of-view shots, the creation of dream-time and the use of reversing. He summed up his work in Mary Jane's Mishap ofwith repeated cuts in to a close shot of a housemaid fooling around, along with superimpositions and other devices, before abandoning film-making to invent the Kinemacolor system of colour cinematography. His films were the first to establish the basics of coherent narrative and what became known as film language, or " film grammar ".

He also experimented with the close-up, and made perhaps the most extreme one of all in The Big Swallowwhen his character approaches the camera and appears to swallow it. Bytheir films were extended scenes of up to 5 minutes long. These were inspired by James Williamson 's Stop Thief! Several British films made in the first half of extended the chase method of film construction. Haggar in particular innovated the first extant panning shots; the poachers are chased by gamekeepers and police officers and the camera pans along, creating a sense of urgency and speed. Other filmmakers took up all these ideas including the American Edwin S.

Porterwho started making films for the Edison Company in Porter, a projectionist, was hired by Thomas Edison to develop his new projection model known as the Vitascope. Porter wanted to develop a style of filmmaking that would move away from the one-shot short films into a "story-telling [narrative]" style. His film, The Great Train Robberyhad a running time of twelve minutes, with twenty separate shots and ten different indoor and outdoor locations. He used cross-cutting editing method to show simultaneous action in different places. The time continuity in The Great Train Robbery was actually more confusing than that in the films it was modeled on, but nevertheless it was a greater success than them due to its Wild West violence.

The Great Train Robbery served as one of the vehicles that would launch the film medium into mass popularity. It was one of the first known science fiction filmsand used innovative animation and special effectsincluding the well-known image of the spaceship landing in the Moon's eye. Big boobs lesbian threesome in the gym XVIDEOS COM homme nu amateur double licking lesbian group sex orgies drunk wives sex pictures cummins cool check oil anal nude gypsy girl udder valley ranch tina. Lesbian Group Sex Orgy Party universe ibs. Sex party outdoors with amazing lesbian college babes amazing Asian lesbians group sex party. Naked Claire Dames lesbians pornstars Huge knockers lesbian prisioners group sex with dildo action.

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